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Aurora /





הצילומים באדיבות

16/02/2018 to - 30/04/2019

Curator: Doron Adorian
As in the case of the Aurora (Aurora) sometimes it is necessary to stay away from the artificial burden in order to contain the phenomena of sublime beauty. The geographical position of works of art - both in relation to each other and in relation to a sub-audience without a shadow of a doubt - their effect on the world.
* "Light pollution" (in English (Light pollution, Photo pollution, Luminous pollution: is a term that describes a surplus, non-directional, or waste massive light (usually artificial light.) Form the most common of light pollution is hiding the stars in the sky night . so the aurora borealis typically can be experienced only distant poles of the Earth.
In contrast to the crowded spaces of the center, galleries are located next to each other in the streets filled with restaurants, museums, shops, markets and residences. The choice in the northern / collective separation of the exhibition Aurora gives the works a "breathing space".
Lighten, stretch and stretch and allow them to "shine" in natural and wondrous light.
Pure pleasure of beauty. Colors. Shapes. Combinations of atoms that create unusual visual effects.
The Aurora exhibition is also accompanied by a social aspect, how not the best of the kibbutz tradition. Similar to the mythological story about the Russian warship Aurora which opened the Bolshevik revolution. A revolution that she envisioned as an international class society. Socialist principles that will turn out to be an ideological motive of the kibbutz movement in Israel.
The group of artists who gathered together to exhibit in the "Hachashmaliya" gallery on Kibbutz Sde Nehemia in the Upper Galilee is a partner in the idea promoted by the Three Rivers Association. A non-profit organization whose goal is to support and promote young Israeli artists in Israel and abroad and to put the periphery on the cultural map as an integral part - if not a breakthrough in the artistic discourse.
The initiative offered by this gathering is one that is daring to bear the opening shot of a revolution and a change of mind that is not self-evident.
This is Aurora.
Salah Elkara, Haim Biran, Moti Driel, Solomon Leviev, Yossi Lubelsky, Ruti Segal, Micha Steigman, Gideon Shani .
Gideon Shani:
His works draw their materials from the magical and romantic beauties of the southern landscapes. Landscapes that have become his physical, mental and emotional environment for more than 50 years.
His encounter with the landscape is a meeting of belonging and commitment, not of an observer. Belonging to the pure and primal beauty of the expanses of the Negev, from the great crater to its cosmic colors and shapes to the landscapes of Sodom that terrorize and enchant the beholder.
Haim Biran:
In many of his sculptures, he raises ideas and opinions about his life and our lives, with a proper seriousness spiced with humor, sometimes a little delusional, and sometimes sheds of ridicule in the material.
Yossi Lubelsky:
His paintings deal with the Israeli landscape of the Jezreel Valley and the North, landscape paintings using oil technique on large-scale fabrics. In his paintings he expresses a yearning for nature from memory patterns in the landscape, the eucalyptus trees, the orchards, the formation and change of which is poured on the canvas. Nature as an anchor for the idealization of the beautiful and rooted Land of Israel, the work of the land, the smells of colors and experiences. All symbols expressing patriotism and love for the Land of Israel.
Solomon Leviev:
Painter and sculptor. His sources of inspiration are many and varied: bloody conflicts between states, victims of violence in our region and the world at large. And at the same time a virtuoso movement of dancer, Greek mythology, legends stories, historical events and figures. "As if a mysterious hand leads me to the studio to create new characters and compositions rich and complex. There is no happier than me when the character I was looking for is forming, before my very eyes. "
Salah Al-Kara:
By looking at things during our lives we become a huge collection station. There are things that we remove from the warehouse knowingly, and there are things that pass through us as a conduit for which we have no control. At the end of the day I believe that we are only pipes that pass through us. Neither genius nor high thoughts. When we are at the height of archaicness, we are closest to nature.
Micha Steigman:
He is a living painter and works in a studio in Karkur. Solo exhibitions and group exhibitions in Israel and New York. In his works he touches on various subjects, such as looking at the environment from the eyes of a six-year-old girl, examining the meaning of observing and being behind a mask, drawing a movement that is frozen in time and striving for simplicity.
Moti Driel:
His works create a dialogue between painting with a brush and a painting on an iPad. His paintings move on two planes. One analytical analysis and the other artistic, subjective and liberated, in which the imagination increases and responds to developments in the painting that then takes the lead. Often changes medium, method and style, and gives free rein to associations about the tension of life in Israel and the future of Israel, through dark glasses.
Ruth Segal:
In choosing the colors in her work and in the strokes of her brush, Ruth expresses the ambivalent values in nature, in life, in her thoughts and in the edges of her feelings. Thus, for example, in her landscape paintings one can sense the spirit that is one of the elements of nature, yet spirit also symbolizes the spirituality of man. Man - hints to us Ruth is the connection between earth and heaven, between physical and spiritual.
The Facebook Association:
https://www.facebook.com/Threeriversartproject / Translated using Google translate.


location -
קיבוץ שדה נחמיה


Time - 16/02/2018 to - 30/04/2019

Exhibition opening - 16/02/2019, שעה - 12:00


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